Recent Posts

Thursday, March 3, 2011

2D Project 2 Story LINE and Mark Making project parameters

2D Project 2 Story LINE and Mark Making parameters

by Chinney


 David's made with string.
by Katy
by Krystal

Artists of interest (worth googling)
Jill Moser
Brice Marden
Robert Ryman
Cy Twombly
Howard Sherman
John Adelman
Arshile Gorky
Antoni Tapies
Agnes Martin
William DeKooning
Piet Mondrian
Edvard Munch
Frank Stella
Sol LeWitt

Movements
Abstract Expressionism
Minimalism

4 comments:

  1. Some of this stuff I like and some I just dont understand how it's art, am I thinking to much about it?

    ReplyDelete
  2. i don't like all of it myself; simply different use of line/mark making that has occurred over the last 100 years. think on!

    ReplyDelete
  3. If the wall mounted piece is due the 21 then what is due tomorrow?

    ReplyDelete
  4. bring materials to begin making the piece that is due the 21...you might bring several options.

    ReplyDelete

WASH

2D :: This studio course introduces the studio arts, contemporary art history, theory and technology to the incoming student. It is designed to immerse students in an intense program of researching, interpreting and creating art in the twenty-first century. ART 130 emphasizes the 2-Dimensional Arts but pushes into the 3rd and 4th as well. Its companion courses, ART 131 and ART 132W, support this studio course with lectures, readings, visiting artists and demonstrations.

3D :: This studio course introduces the studio arts, contemporary art history, theory and technology to the incoming student. It is designed to immerse students in an intense program of researching, interpreting and creating art in the twenty-first century. ART 131 emphasizes the 3-Dimensional Arts as well as pushing into the 4th Dimension.

Lecture :: This course introduces the concepts, theories and information for development in ART 130 and ART131, the studio components linked with this visual arts foundation course. It is an arena for students to experience lectures, demonstrations, seminar activities and visiting speakers, as well as the more traditional aspects of the discipline. It is geared towards contemporary visual concerns and uses experimental techniques to expose students to an array of styles and methodologies.

Think bootcamp for artists!